Three Billboards, outside Ebbing, Missouri noticed— Serve justice before justice hits your head

By: Hazel Gane Pilapil

A multi-genre, true story inspired Hollywood film conceived one compelling nature, a call for justice.

And what happens when award-winning filmmaker Mark Mcdonagh jumbled a confuse maiden Frances Mcdormand from Madeline, psycho bastard of Green Mile Sam Rockwell, and drunken Haymitch Woody Harrelson of Hunger Games trilogy in one world? the erection of not-your-ordinary and purely personal billboards, Three Billboards, outside Ebbing, Missouri. With a shocking extra role of Tyrion Lannister Peter Dinklage, Director Mcdonagh did effortlessly secure its place to Oscars.

As an audience (well that would be more intense if you’d watch it in cinemas), you can feel the intense heat without any real interrogation from flexible characters, soul-wrecking script, and the story itself. The professional reenactment arose entertainment, dilemma, rage, and the drama in just one screeching flow.

The curiosity kills the town when a policeman Cartell (Sam Rockwell) captures three working men building three billboards that have unusual messages written in it prior to catch the attention of Chief Willougby (Woody Harrelson). The new and effective way to pressure authority is composed by the grieving mother (Frances Mcdormand) who can’t withstand the inaction of police and turtle-process investigation towards the murder-rape case of her daughter. The self-interrogation to the audience combusts when the town discovers Chief Willougby is dying because of his cancer and the empathy of the town goes for him.

If viewers happened to have goosebumps in internal organs, it is not impossible because another miserable plot has hidden the cry for justice as chief Willougby decided to end his life by shooting his head. The whole town blames Mildred (the protagonist) as they are convinced that she put the chief and its entire policemen to shame in the presence of the three billboards.

But surely when there’s a deep, breaking down scenarios, there is still high hopes. Not only in the face of lover boy midget Peter Dinklage who expresses his love to Mildred but when Cartell, best friend of the deceased chief and the presumed antagonist (Sam Rockwell), got character adjustments and proceeds to tandem with Mildred at the end, just to claim the justice with their hands.

The film itself is a roadrunner, and diverse genre to which it presents women empowerment, the undying love of a mother, and unbelievable character transformations that would cultivate immoral and moral realizations to the viewers. If you accidentally catch up this film in Fox Movies, then surround yourself with pillows and chill.